Theatre/Živadinov::Zupančič::Turšič THEOLOGY/I. Informance Based on the textual mass of André Breton “The Mediums Enter” (1922). Informers: Nina Ivanišin Blaž Šef Dragan Živadinov Dario Seraval Dunja Zupančič There are two ways by which we can materialize the forms of post-gravity: a) We can use analytic art to disassemble the live complexity in order to assemble it
Theatre/Živadinov::Zupančič::Turšič
THEOLOGY/I.
Informance
Based on the textual mass of André Breton “The Mediums Enter” (1922).
Informers:
Nina Ivanišin
Blaž Šef
Dragan Živadinov
Dario Seraval
Dunja Zupančič
There are two ways by which we can materialize the forms of post-gravity:
a) We can use analytic art to disassemble the live complexity in order to assemble it again into a new complexity at a laboratory on a space station in the geostationary orbit.
b) The other way is to narrow down the monumental complexity and reduce it to three didactic digital slides. All in the name of the cosmification of art and culturalization of space.
Marko Peljhan, Matthew Biederman
et al.
SOFT PROBE
(The Edges of SDR)
Situation
The technology and knowledge once only in the domain of the military-industrial complex, are moving into the civilian spheres. What was once hidden in the laboratories of the government security services and agencies and backed up by billion dollar budgets, is now hidden in electronic circuits no bigger than a credit card, a USB key or a small integrated circuit board.
All of these is now accessible to the tactical media workers, creative programmers and alert citizens.
With the use of open source tools and software defined radios (SDR) we unveil the vulnerabilities of contemporary telecommunication networks and open a view into the dramatic loss of privacy in personal electronic communications.
Within this Situation, the networked electro-magnetic society meets with the instruments of its inspection, magnification and reflection.
Organisation: Projekt Atol and Kino Šiška.
