Dance/Theater

04. 12. 2016

Multiple venues

Amanda Piña & Daniel Zimmerman: ENDANGERED HUMAN MOVEMENTS VOL. II: DANCE AND RESISTANCE

CoFestival – International Festival of Contemporary Dance Performance FB event> Anthropological choreographic study of Amanda Piña and Daniel Zimmerman titled Dance and Resistance is the second part of the choreographic series Endangered Human Movements. The authors place in the spotlights the dances of cultural practices that are considered endangered or even extinct in different parts of

CoFestival – International Festival of Contemporary Dance

Performance
FB event>

Anthropological choreographic study of Amanda Piña and Daniel Zimmerman titled Dance and Resistance is the second part of the choreographic series Endangered Human Movements. The authors place in the spotlights the dances of cultural practices that are considered endangered or even extinct in different parts of the global world. This time, the choice of kinetic forms by which different peoples address vegetation cycles, animal ecosystems and atmospheric phenomena and which the authors included in the performance was determined by the criterion of contemporary corporative economic exploitation by which different companies are destroying natural resources and consequently human communities and their culture.

The performance explores the possibility of bodily resistance within the current framework of the neoliberal market economy and the depletion of natural resources.

Umetniško vodstvo/Artistic Direction: Amanda Piña v sodelovanju z Danielom Zimmermannom/Amanda Piña in collaboration with Daniel Zimmermann
Koreografija, ples in nastop/Choreography, Dance & Performance: Alma Quintana, Yusimi Moya Rodriguez, Amanda Piña, Linda Samaraweerová
Ples in performans/Dance and performers: Solanghe Enriquez Barrios, Liam Spaenjers in gosti/ Solanghe Enriquez Barrios, Liam Spaenjers and guests
Koreografski viri/Choreographic sources: Gertrud Bodenwieser, Hanna Berger, ljudstva Yaqui, Mayo, Navajo, Mixtecs-Mexicans, Mapuche Huilliche, Tenek, Sakuddei, prebivalci atola Tabiteuea − Kiribati, prebivalci Trobriandskih otokov
Skladatelja, izvajalca glasbe in zvočilna instrumentalista/Composition, live percussion & live music: Shayna Dunkelman & Christian Müller
Oblikovanje svetlobe/Lighting design: Victor Durán
Oblikovanje prostora in projekcij/Stage & Projections: Daniel Zimmermann
Koroegrafska asistenca/Choreography assistance: Paula Chavez
Prenašanje gibanja iz etnografskih filmov/ Movements download from ethnographic films: Lina Maria Venegas, Amanda Piña
Dramaturško svetovanje/Dramaturgical adviser: Angela Vadori
Umentiško svetovanje/Artistic advisor: Quim Pujol
Oblikovanje kostumov/Costume design: Francesca Aldegani, Anke Philippe
Montaža in menedžersko svetovanje/Editing and management consulting: Marie-Christine Baratta
Produkcija in raziskovanje/Production manager and research: Sarah Blumenfeld
Produkcija/Production: nadaproductions.at
Koprodukcija/Co-production: De Singel International Art Campus, Tanzquartier Wien
The project Endangered Human Movements is in cooperation with: ImpulsTanz – Vienna International Dance Festival, NAVE, Creation and Residence Center, Santiago de Chile, Tanzquartier Wien, STUK a house for dance, image and sound, Hellerau Dresden, nadaLokal.
Supported by: MA7 – Kulturabteilung der Stadt Wien, BMfB – Bundesministerium für Bewegungsangelegenheiten, BKA Kunst und Kultur – Bundeskanzerlamt Österreich
Hvala/Thanks to: Marta Huepe García, Andrea Amort, Nicole Heitzinger, Gabrielle Cram, Don Celestino, Michael Carter, Elisabeth Hirner, María José Cifuentes, Lutz Baumann, Angela Vadori, Ernesto Neto & the Huni Kuin, Thomas Fasching, tehnični ekipi organizacije deSingel za njihovo prijazno in velikodušno podporo in hkrati vsem našim prednikom/the technical team from deSingel for their kind and generous support and to all our ancestors.
Organizacija/Organisation: Kino Šiška & NDA
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The event is made possible by INTPA – International Network for Dance and Performance Austria (Tanzquartier Wien iz skladov by BKA und BMEIA)
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