In her artistic practice, Sara Skenderija explores, among other things, the ambiguity of perception – searching for anomalies within the image and playing with the associative perception of the sensory. She pursues the perception of the object as a presence equivalent to the viewer. More precisely, she pursues the junctions and points of separation within the object–subject relationship, which she simultaneously views as the neck through which the dialogue between the author and the viewer flows.
In her first solo exhibition, the artist presents an object cut into several parts, pictures. As fragments of one organism, the images are arranged according to the logic of the sequences, within which the dissection of the organism and its simultaneous destruction take place. The visual image is complemented by artificially generated sound and invites the viewer’s doubt through its logical flaws.
”The image glitches out just where it starts to make sense.”
Sara Skenderija (1998) is currently completing her undergraduate studies in painting at the Academy of Fine Arts and Design in Ljubljana. She has participated in the Fresh Fish and appointMENT group exhibitions at DobraVaga.
Organisation: DobraVaga/Kino Šiška
Free entry.
16. 8. – 10. 9. 2022
