Death To All – finally in Ljubljana! Unquestionably one of the most important and influential metal acts to have ever emerged from the North American continent, Florida’s DEATH came together in late 1983 when guitarist/vocalist Chuck Schuldiner and guitarist Rick Rozz (real name: Frederick DeLillo) got together with drummer/vocalist Barney “Kam” Lee to form Mantas.
Death To All – finally in Ljubljana!
Unquestionably one of the most important and influential metal acts to have ever emerged from the North American continent, Florida’s DEATH came together in late 1983 when guitarist/vocalist Chuck Schuldiner and guitarist Rick Rozz (real name: Frederick DeLillo) got together with drummer/vocalist Barney “Kam” Lee to form Mantas. Drawing musical inspiration from Venom and Slayer, the trio (no bassist had yet entered the picture!) went about composing original tunes and making very rough, crude rehearsal recordings to send out to various tape-traders around the world. Internal turmoil within the group and Mantas’ eventual break-up in late 1984 resulted in Chuck’s vow to carry on making music that was “faster and heavier” than anything he’d done before.
Heralded as a genre innovator, Chuck partnered with drummer Chris Reifert and took to the studio. Released in May of 1987, DEATH’s debut record Scream Bloody Gore, described as “death metal’s first archetypal document”, was immediately met with praise and accolades, with magazines and fans hailing it as one of the most important death metal releases of all time. However, with Chuck once again having returned to Florida and Reifert basing himself in San Francisco, Schuldiner –in yet another surprising move– decided to join forces with three-fourths of Florida’s Massacre (including Rick Rozz). This marked the first touring incarnation of DEATH, which made its first major live appearance at that year’s Milwaukee Metalfest, co-promoted by DEATH future manager, Eric Greif. During the successful club tour that followed, DEATH aired three brand-new numbers (“Born Dead”, “Open Casket” and “Pull The Plug”) that Chuck had written for the group’s sophomore outing, which showcased a more mature, focussed direction for the band while retaining the brutality that had become the group’s trademark.
By April of 1988, DEATH had returned to the recording studio (Tampa’s Morrisound facility) and, under the guidance of Dan Johnson, laid down their much-anticipated second album. A polished-yet-savagely-heavy effort, Leprosy, like it’s predecessor, had its roots firmly in the Slayer/Venom/Hellhammer school of songwriting, but with an increased emphasis on the kind of melodic passages that would later become central to the group’s sound. Not surprisingly, this powerful combination was an instant “hit” in the metal underground and became a major influence on hundreds of bands that emerged during death metal’s “resurgence” in the late ’80’s, including groups such as Entombed and Napalm Death (who ended up recording their Harmony Corruption album at Morrisound Studios in an attempt to recapture Leprosy’s distinctive production).
In the decade that followed, DEATH issued several more critically-acclaimed releases while gradually gravitating towards a much more technical musical approach, one that would inevitably alienate some of the group’s longtime fans. Along the way, Chuck came to be rightfully regarded as one of the pioneers of the death metal genre, while Spiritual Healing came to earn its place in the annals of death metal history as one the finest albums ever released under the banner.
GORGUTS, long-running Canadian craftsmen of technical death metal have returned! After more than a decade of silence, mastermind Luc Lemay unleashes “Colored Sands”, a new brand of pestilent fury featuring an all star line-up including John Longstreath (ORIGIN, SKINLESS), Colin Marston (BEHOLD THE ARCTOPUS) and Kevin Hufnagel (DYSRHYTHMIA). Few extreme bands have the pedigree of GORGUTS. During their early days as part of death metal’s first wave, they created a legacy of legendary releases including their debut album “Considered Dead” (1991) and its follow-up “Erosion of Sanity” (1993). The latter witnessed the Canadians becoming more experimental and technical. After a hiatus of five years, Luc Lemay returned with a new line-up, which released the acclaimed third full-length “Obscura” (1998). By then GORGUTS had fully transformed into one of the most progressive and influential bands in extreme music, which remained impervious to trends, while expanding and redefining the language of death metal. With a new line-up that left Lemay as the sole original member, another milestone album was released. On “From Wisdom to Hate” (2001) the Quebecois successfully merged the brutal and more direct approach of their earlier albums with the complex arrangements of “Obscura”. Just as GORGUTS seemed on the verge of making the first decade of the new century their own, the band was hit by business and personal issues and went on hiatus. Their musical legacy continued to inspire and thrive as their native Quebec became a focus for technical death metal with acts such as CRYPTOPSY, NEURAXIS and BEYOND CREATION to name but a few following in their footsteps. Now the masters are back to deliver the stunning masterpiece the metal world has been awaiting so long. Brace hard or get swept away by the mind blowing storm of “Colored Sands”!
